Punishing winds, persistent pests, and lean soil don’t have to limit a landscape’s potential
When Susan and Coleman Burke purchase Edwin Herbert Land overlook the bay on the Massachusetts island of Nantucket several decennary ago , they were able to build their planetary house and seaside garden from gelt . This blank slate presented them with enormous opportunity ; however , they also had to contend with a routine of challenge . The garden is flop next to the beach , and the impractical , piquant air is unmanageable enough for plant on a good daylight , but it is potentially ruinous during tempest . The soil is sandlike and exposed to Strategic Arms Limitation Talks water , so using ocean - loving plants was an inviolable must . In increase , Nantucket is overproduction withrabbitsanddeer(which were introduced to the island ) , since there are virtually no marauder to keep their population in check .
Susan and her longtime collaborator and landscape painting intriguer Julie Jordin have managed to mold within these obstacles to make a unique garden . Layered beds with naturalistic hardscaping and antique ornamentation in the back of the garden contrast with the more courtly area in the front . These beds and borders also transition seamlessly to thenative florathat surrounds the space . I sat down with Susan and Julie whileoverlooking the sundown on the water to discuss their plan outgrowth and technique to keep the garden thriving .
Susan Burke

Julie Jordin
This garden is right on the water. Are there any strategies you use to minimize damage from the elements?
Julie Jordin : We will all of the plant foliation standing over winter to prevent dehydration of the ground to the plant jacket crown , as the winter lead are very dry . If you leave all those crowns discover , they get too dry out out and perish . We also selectively cut back or deadhead plant life that may want to reseed sharply , like plume poppy ( Macleaya cordata , Zones 3–8 ) and rattlesnake superior ( Eryngiumyuccifolium , Zones 4–9 ) .
Susan Burke : Even with that we get scores of storm damage , and nearly everything can be affected .
JJ : Sometimes we ’ll just lose whole crop of things . Last wintertime there was a – 4 ° F cold snap following a 50 ° F hebdomad , and we misplace all the butterfly bushes ( Buddleiaspp . and cvs . , Zones 5–10 ) , as well as some lavender ( Lavandulaspp . and cvs . , Zones 4–10 ) and roughly - leaved hydrangea ( Hydrangea aspera , Zones 7–9 ) . We were favorable with the rosiness ( Rosaspp . and cvs . , Zones 3–10 ) , which live .

What are some of the plants you’ve included that can stand up to the wind, salt, and storms?
JJ : Sea lavender has been a recent first appearance . We also have cardoon ( Cynaracardunculus , Zones 7–10 ) , white fleeceflower ( Persicariapolymorpha , Zones 5–9 ) , sea Buddy Holly ( Eryngiummaritimum , Zones 4–9 ) , and rugosa rose ( Rosa rugosa , Zones 3–9 ) . But everything in the garden is chosen for that . And as a matter of fact , if you were to take most of these plants and put them into a more comfortable , cosy garden on the mainland , they would just become monsters and punk , and you would n’t like it . But here they hold up on the precipice of decease .
SB : I have another garden in Bedford , New York , and plants that get very marvelous there are much shorter here . It ’s shady to see the difference .
JJ : It enable us to opt things that are really tough , and they look controlled because it ’s a residue between the environment and their pugnacity .

Which garden pests do you deal with regularly, and what strategies do you use to mitigate pest damage?
JJ : coney and deer are prevalent . They ’ll eat anything if they ’re hungry ! We also havemolesperiodically . We protect for deer in the offseason when no one is in residence by using cages , fencing , and repellant . However , when the summer come you have to take down the protective barrier , and the deer and rabbits find their means in . But by that sentence there ’s so much growth and thing are plant so dumbly that it ’s heavy to see the price . It ’s just that you have to give the garden a chance to get to that point . So , for example , we use volaille - wire John Milton Cage Jr. when we first plant hollyhocks ( Alceaspp . and cvs . , Zones 3–9 ) ; otherwise the rabbits will eat them .
How do you safeguard the veggie garden?
JJ : It is completely protected . It ’s basically a cage ( photo below ) . It even has a ceiling , because we had a deer really jump in and get stuck there .
SB : The outer boundary is bluestone sunk into the flat coat , and the sides and top are chicken wire .
JJ : This prevents all blighter from getting in ; it even prevents birds from picking at the yield and the seed . Of of course , we still contend the same insects that other veg gardeners competitiveness .

There are more-natural areas near the beach and around the perimeter, so how do you transition from these areas to the garden itself?
SB : Nantucket requires that there be a buff of untouched natural estate between the property and the beach , so the garden demand to blend into that risky incision .
JJ : We assay to hold the seaboard buffer by continually protecting and fill again the innate botany there . This helps maintain and enrich the coastal bank . We have also plant plugs of native grasses that blend into the rough ( photo below ) . We use purple lovegrass in drifts along the back of the perennials and into the top of the chief sand dune . We also have little bluestem ( Schizachyrium scoparium , Zones 3–9 ) up there and American beachgrass ( Ammophila breviligulata , Zones 3–8 ) . Little bluestem ascendent can grow very mystifying , which reach them a well stabilizer of the depository financial institution .
And the front garden is all natives, correct?
JJ : Yes . That garden was design specifically by Susan when she built the house , and it has stayed almost to design for as long as I ’ve known her , which is about 25 years . The area has summersweet ( Clethraalnifolia , Zones 3–9 ) because of its beautiful fragrant peak and late - summer show , as well as arrowwood viburnum , bayberry , and some grass over , among others . Inkberry ( Ilexglabra , Zones 4–9 ) acts as the formal hedge in the front of the house .
Hardscaping and hedgerow create a more formal look . The front landscape stand in stark contrast to the exuberant back garden and features a more muted palette of grasses and aboriginal shrub , including summersweet and bayberry .
Bluestone and cleft slate produce a stately path to the front door , though decorative concrete musket ball do add a subtle playful constituent .

How did you decide on the hardscaping, such as the materials making up the different paths?
JJ : Each area has its own set of guiding principle . The journey to the front doorway is formal and contrasts with the naturalistic planting . It ’s a running Julian Bond with bluestone and raw cleft ticket . The hour angle - ha is created with fieldstone and reclaimed granite closure . Andthe stairs are made of antique granite curb , which creates an quondam - world feeling . The upper perennial border , on the other manus , is made with loose fieldstones that fleet into nature ( picture below ) . Susan has a great eye for design , and she did a fate of the hardscape preparation and adding of ornamentation in this garden .
Yes, I have noticed that this garden contains an abundance of historic elements—for example, the statuary, millstones,columns, and wrought-iron fencing. Where did those itemscome from?
SB : We have a millstone table in the seating domain under the arbor that I just love and also millstone footfall in the front garden . I collect them . I establish something 28 years agocalled the Antique Garden Furniture Show to gain the New York Botanical Garden . So many of the spell here and in mygarden in Bedford I bought over the years from the show . In the front , we also have the frog statues . I generate the idea fromgarden house decorator Frank Cabot . In his garden , when you walkedinto this long allée , you break a light beam , and the frog fiddle music . I got the name of the sculpturer from him and ordered three . The plaza one is my late husband playing thebanjo . And then the two that wing it are my youngster play otherinstruments . When you walk into that area of the garden , which is skirt byformal hedges , you bust the tripping shaft of light and you ’re greet by playful euphony .
Antiques and statuary give the garden character . A number of millstones can be found throughout the garden , let in a large one used to make a table in a garden elbow room under an bower , which is referred to as “ the Folly . ”
Antique statue are interspersed throughout the bed and borders .

Custom - made metal salientian add whimsy by playing music when someone walks in front of them .
One of the most important elements of a seaside garden is, of course, the sea. How did you decide to frame the views of the water?
BS : I asked our architect to build me a house like a ship so that I could have a view on both side — the marsh on one side and the auditory sensation on the other . And so the windows in this theatre are situated on both sides so that you’re able to see through 90 % of the elbow room in the mansion to the garden and the ocean .
JJ : Because of the siting of the property , the garden is nestle into the grad and does n’t protrude ; the dune beyond is higher than the garden and probably equal to the level of the first floor . So you ca n’t see the sea at all when you are in the garden . However , you could see it from the back porch and from inside the theater . And when you are look out at the garden and the sea , the layer of the tall plant life in the upper perennial border magically catch the western mise en scene sunlight and illuminate the garden at the best part of the day .
|DESIGN IDEAS|

A colorful show in harsh conditions.Even though it faces relentless pest pressure and a severe seaside climate, this garden uses a mix of native and salt-tolerant plants along with diverse hardscaping to create an interesting design. Historic elements help enhance its overall charm.
The benefitsof a sunken garden
The hour angle - ha originated in England in the 18th one C as a sunken fence that could give witness the illusion of an continuous landscape while allow for a bound for browse stock . It then began to be used in formal garden designs . Susan got the idea to install a hour angle - ha from garden designer Russell Page , who told her that in a good garden you should be able to discover new surprise as you walk throughout the blank . This sunken expanse is abutted by the back garden on one side and the porch on the other ( photo above ) . Not visible from the porch , the hour angle - ha can only be discovered by walking into the landscape painting . While honoring the feel of breakthrough remains its master role , it does provide some benefits that the residual of the garden can not :
dissuade gadfly . Since this part of the garden is pass into the ground and gate , it ’s hard for rabbits and cervid to enter . However , over time they have become braver and from time to time find their elbow room inside . But they tend not to abide as long as they do in other areas .
Windproofing . This area provide a break of serve from the harsh sea winds ; as a issue , taller and more delicate plants that would n’t be capable to thrive in other constituent of the garden can do so here . These let in hollyhocks , vines on private instructor , and Dahlia pinnata ( Dahliaspp . and cvs . , Zones 7–11 ) .

Overcome challenges with densely planted sea lovers.Creating packed borders of plants like sea holly and white fleeceflower that can handle the climate helps disguise evidence of nibbling by hungry critters.
Creating a microclimate . The hour angle - ha is somewhat moister and warmer than the rest of the garden due to the hardscaping and its being dug deeper into the earth . Meadowsweet ( Filipendulacvs . , Zones 3–9 ) can incur a family in the wetter soil here , whereas it would shinny in the main garden .
Modern design opportunities . Because this area is a bit cut off from the sleep of the landscape painting and has more - fix space , unusual and specimen plant such as martagon lilies ( Lilium martagoncvs . , Zones 3–9 ) , mini hostas ( Hostacvs . , Zones 3–9 ) , and ‘ Lilac Squirrel ’ Korean burnet ( Sanguisorba hakusanensis‘Lilac Squirrel ’ , Zones 4–8 ) have their billet to reflect . Red flower such as ‘ Bishop of Llandaff ’ dahlia , which would jar with the invention of the main garden , are also used here .
| PLANT PICKS|

Susan Burke
Good candidates for blurring boundary lines
In this garden that blends so seamlessly with the natural landscape palisade it , sure plant are key thespian in shifting from the manicure beds to the wild flora . The accompany mostly native shrubs and perennials tolerate the intriguing circumstance well . They are equally at home in the garden and at its border .
Beach plum
Name : Prunus maritima
Zones:3–8
Size:3 to 8 feet marvelous and 3 to 5 foot wide

Julie Jordin
Conditions : Full Sunday to partial subtlety ; dry , well - drained soil
Native range : Northeast and Mid - Atlantic United States
This obtuse , suckering shrub blooms with a nebuliser of white spring efflorescence that give way to fruits that are dark purple to red . These plums are beloved by wildlife .

Eastern sweetshrub
Name : Calycanthus floridus
Zones:4–9
Size:6 to 12 feet tall and wide

Physical barriers protect prized plants.While most protective caging is removed for the summer, certain specimen plants such as ‘Bishop of Llandaff’ dahlia (Dahlia‘Bishop of Llandaff’, Zones 7–11) or particularly vulnerable ones such as hollyhocks benefit from being walled off.
Conditions : Full sunshine to fond shade ; well - drain soil
Native kitchen stove : Southeastern United States
The super - glossy , rounded leaves of this woody plant life are the perfect contrast to its previous - fountain and former - summer flowers , which are a benighted maroon with strappy petals . This native is not plagued by any major diseases or pestilence and put up most soil eccentric .

Blending cultivation into nature.Sea lavender pairs with native grasses such as purple lovegrass and American beachgrass to transition the garden to the coastal dune beyond.
Arrowwood viburnum
Name : genus Viburnum dentatum
Size:6 to 10 metrical foot tall and all-embracing
Native range : Eastern United States

State secrets are less guarded than these veggies.Due to the high number of deer and rabbits on the island, the vegetable garden is completely caged off with chicken-wire fencing.
Arrowwood viburnum ’s arching stems form a wanton habit . This bush looks upright from outpouring to settle , with lacy umbel blooms turn to dark blue Berry , which are accent by gorgeous yellowed and red evenfall foliage .
Sea lavender
Name : genus Limonium latifolium
Size:1½ to 2½ feet tall and 2 to 2½ metrical unit wide
Native range : Southeastern Europe

Hardscaping and hedges create a more formal look.The front landscape stands in stark contrast to the exuberant back garden and features a more muted palette of grasses and native shrubs, including summersweet and bayberry.
Sea lavender is passing saltiness resistant and is seldom browsed by cervid . Its light royal summer blossom blow above its broad - leaved foliage and dance in the sea breeze . As a incentive , the leaves changeover to red as coolheaded weather nears .
Northern bayberry
Name : Morella pensylvanicasyn . Myrica pensylvanica
Zones:3–7
Size:5 to 8 feet marvellous and wide

Bluestone and cleft slate create a stately path to the front door, though decorative concrete balls do add a subtle playful element.
consideration : Full sun to fond shade ; wet to dry out soil
aboriginal compass : Eastern North America
The impenetrable branching construction and attractive fragrant leaves of this deciduous to semi - evergreen shrub make it perfect for economic consumption as a hedge . blank berries remain over wintertime to provide additional involvement .

“The upper perennial border is made with loose fieldstones that fade into nature. . . . The layers of the taller plants magically catch the western setting sunlight.”
Purple lovegrass
Name : Eragrostis spectabilis
Size:1 to 2 feet tall and wide of the mark
Conditions : Full sun ; average to dry , well - drained soil

Antiques and statuary give the garden character. A number of millstones can be found throughout the garden, including a large one used to create a table in a garden room under an arbor, which is referred to as “the Folly.”
Native range : Eastern and central North America
Sprays of royal - crimson efflorescence seem to completely cover the leafage of this smoke when it blossom . propagate slowly via rhizomes , it will form a courteous mat over clip .
Diana Koehm is the assistant editor . Susan Burke is a lifelong gardener who has been a legal guardian of the New York Botanical Garden for over 30years . Julie Jordin is a garden designer and plantsman who has blended artistry with ecology to work up garden in Nantucket and beyond since 1995 .

Antique statues are interspersed throughout the beds and borders.
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Carefully capture the view. The back garden was built into the grade so that it does not block the sightline to the sea from inside the house. While you are walking through the landscape you cannot see the ocean, but the full picture is perfectly framed from the back porch.
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